It is the Sculpture faculty’s belief that today’s art program should provide options for individual self-development. We recognize that the artist’s role has become more complex; technology has opened new frontiers, and divisions between mediums have all but disappeared. During the graduate years, students are expected to work as maturing artists motivated by independent ideas. In the sculpture area at USC students find an atmosphere of stylistic freedom, which allows the realization of their visual concepts.
Sculpture at USC occupies more than 4,000 square feet of studio and shop space. Graduate studios are in a building separate from the undergraduate area. Each graduate student has approximately 400 square feet of individual studio space. Additionally, due to the generally mild climate, students take advantage of the large covered outdoor working area. Graduate students have 24-hour access to their studios and studio equipment. The sculpture facilities include equipment appropriate for most sculptural techniques.
Table saws, band saws, scroll saw, radial arm saws, chop saws, drill presses, belt and disc sanders, planer, four mobile oxyacetylene rigs, mig and arc welders, plasma cutter, bench grinders, foundry and mold making area, large metal cutting horizontal band saw, various pneumatic tools, large sandblasting cabinet and mobile pressure pot, forge with treadle hammer, paved, lighted and covered outdoor work area, fork lift, and most major hand and power tools.
The faculty is committed to an ongoing program of visiting artists. This policy gives our students exposure to the realities of the professional art world along with a chance to exchange ideas with some of today’s top artists. Visiting artists have included:
James Surls, Greg Elliott, William Martin, Nam June Paik, Leo Castelli, William Wegman, Gregory Armanoff, Alfred Leslie, Shaun Cassidy, Robert and Paula Winokur, Norwood Viviano, Bernadette Vielbig, James Alexander, John Douglas Powers, to name a few.