Amiri Baraka (LeRoi Jones), 1934-

Jan. 1st, 1959-Fidel Castro, edited by LeRoi Jones. New York: Totem Press, 1959.

Spring & Soforth, as LeRoi Jones. New Haven, CT: Penny Poems, 1960. Broadside. Penny Poems, no. 111.

Cuba Libre, as LeRoi Jones. New York: Fair Play for Cuba Committee, 1961.

The Disguise, as LeRoi Jones. New Haven, CT: Penny Poems, 1961. Broadside. Penny Poems, no. 155.

Preface to a Twenty Volume Suicide Note . . . , as LeRoi Jones. New York: Totem Press/Corinth Books. 1961.

Four Young Lady Poets, edited by Jones. New York: Corinth Books, 1962.

Blues People: Negro Music in White America, as LeRoi Jones. New York: Morrow, 1963; London: MacGibbon & Kee, 1965.

The Moderns: An Anthology of New Writing in America, edited, with an introduction, by Jones. New York: Corinth Books, 1963; London: MacGibbon & Kee, 1965.

The Dutchman, and The Slave: Two Plays, as LeRoi Jones. New York: Morrow, 1964; London: Faber & Faber, 1965.

The Dead Lecturer: Poems, as LeRoi Jones. New York: Grove Press, 1964.

The System of Dante's Hell, as LeRoi Jones. New York: Grove Press, 1965; London: MacGibbon & Kee, 1966.

Dear Friend, The Black Arts Repertory Theater/School . . . New York: LeRoi Jones, 1965. 1 sheet, duplicated typed letter.

Home: Social Essays, as LeRoi Jones. New York: Morrow, 1966; London: MacGibbon & Kee, 1968.

Black Art, as LeRoi Jones. Newark, NJ: Jihad, 1966.

Slave Ship: A Play in One Act, as LeRoi Jones. Newark, NJ: Jihad, 1967.

The Baptism, and The Toilet, as LeRoi Jones. New York: Grove Press, 1967. Evergreen Playscript no. 10.

Arm Yourself or Harm Yourself! A One Act Play, as LeRoi Jones. Newark, NJ: Jihad, 1967.

A Poem for Black Hearts, as LeRoi Jones. Detroit: Broadside Press, 1967. Broadside.

Tales, as LeRoi Jones. New York: Grove Press, 1967; London: MacGibbon & Kee, 1969.

Black Music, as LeRoi Jones. New York: Morrow, 1967; London: MacGibbon & Kee, 1969.

A Traffic of Love, as LeRoi Jones. Pleasant Valley, NY: Kriya Press, 1967. Broadside. 100 copies.

Black Fire: An Anthology of Afro-American Writing, edited, with contributions, by Jones and Larry Neal. New York: Morrow, 1968.

Short Speech to My Friends, as LeRoi Jones. London: L. A. Wallrich, 1969. From The Dead Lecturer. New Year's greeting card, January 1969.

Black Magic: Sabotage; Target Study; Black Art; Collected Poetry 1961-1967, as LeRoi Jones. Indianapolis: Bobbs Merrill, 1969; London: Calder & Boyars, 1971.

Four Black Revolutionary Plays, as LeRoi Jones. Indianapolis: Bobbs Merrill, 1969; London: Calder & Boyars, 1971.

Answers in Progress, as Imamu Ameer Baraka. Newark, NJ: Jihad, 1969. Broadside.

A Black Value System. Newark, NJ, Jihad, 1970.

J-E-L-L-O. Chicago: Third World Press, 1970.

It's Nation Time. Chicago: Third World Press, 1970.

In Our Terribleness (Some Elements and Meaning in Black Style), by Baraka and Fundi (Billy Abernathy). Indianapolis: Bobbs Merrill, 1970.

Raise, Race, Rays, Raze: Essays since 1965. New York: Random House, 1971.

Strategy and Tactics of a Pan-African Nationalist Party. Newark, NJ: Jihad, 1971.

Kawaida Studies: The New Nationalism. Chicago: Third World Press, 1972.

Spirit Reach. Newark, NJ: Jihad, 1972.

Toward the Creation of Political Institutions for All African Peoples. [s.l.]: Black World, 1972.

African Congress: A Documentary of the First Modern Pan-African Congress, edited, with an introduction, by Baraka. New York: Morrow, 1972.

The Floating Bear: A Newsletter, Nos. 1-38, 1961-1969, edited by Baraka and Diane DiPrima. La Jolla, CA: Lawrence McGilvery, 1973.

African Revolution: A Poem. Newark, NJ: Jihad, 1973.

Black People and Imperialism. Newark, NJ: Jihad, 1974.

The Concept of a Black United Front. Newark, NJ: Jihad, 1974.

Creating a Unified Consciousness. Newark, NJ: Jihad, 1974.

Crisis in Boston. Newark, NJ: Vita Wa Watu-People's War Publishing, 1974.

Kawaida, National Liberation and Socialism. Newark, NJ: Jihad, 1974.

The Meaning and Development of a Revolutionary Kawaida. Newark, NJ: Jihad, 1974.

National Liberation and Politics. Newark, NJ: Congress of African People, 1974.

New Era in Our Politics: The Revolutionary Answer to Neo-Colonialism in Newark Politics. Newark, NJ: Jihad, 1974.

Revolutionary Party, Revolutionary Ideology. Newark, NJ: Jihad, 1974.

Toward Ideological Clarity. Newark, NJ: Congress of African People, 1974.

Hard Facts: Excerpts. Newark, NJ: Congress of African People, 1975.

The Motion of History and Other Plays. New York: Morrow, 1978.

What Was the Relationship of the Lone Ranger to the Means of Production: A Play in One Act. New York: Anti-Imperialist Cultural Union, 1978.

Am/trak. New York: Phoenix Bookshop, 1979. 126 copies. Oblong Octavo Series, no. 20.

The Sidney Poet Heroical, in 29 Scenes. New York: I. Reed Books, 1979.

Selected Plays and Prose of Amiri Baraka/LeRoi Jones. New York: Morrow, 1979.

Selected Poetry of Amiri Baraka/LeRoi Jones. New York: Morrow, 1979.

Spring Song. [s.l.]: David Schulson, Painted Earth Editions, 1974. 126 copies.

Call and Response. St. Paul, MN: Toothpaste Press, 1980. Broadside. 85 copies.

Important Sonnet. New York: Hard Press [1980?]. Broadside.

In the Tradition: For Black Arthur Blythe. [s.l., s.n.] 1980.

Reggae or Not. New York: Contact II Publications, 1981.

In World War 3 Even Your Muse Will Get Killed. [s.l., s.n.] 1982. Broadside.

Collaboration. Grindstone City, MI: Alternative Press [1982?]. Card.

Confirmation: An Anthology of African American Women, edited by Amiri and Amina Baraka. New York: Morrow, 1983.

Daggers and Javelins, Essays 1974-1979. New York: Morrow, 1984.

The Autobiography of LeRoi Jones. New York: Freundlich Books, 1984; revised edition as The Autobiography of LeRoi Jones/Amiri Baraka. Chicago: Lawrence Hill Books, 1997.

The Music: Reflections on Jazz and Blues, by Amiri and Amina Baraka. New York: Morrow, 1987.

The LeRoi Jones/Amiri Baraka Reader, edited by William J. Harris in collaboration with Baraka. New York: Thunder's Mouth Press, 1991.

The Amiri Baraka/LeRoi Jones Poetry Sampler: U.K. Tour, May 1996, edited by David M. Lambert. London: Satori Press, 1991.

Thornton Dial: Image of the Tiger, essays by Baraka and Thomas McEvilley, notes on the works by Paul Arnett and William Arnett. New York: Abrams, in association with the Museum of American Folk Art and the American Center, 1993. Exhibition held at the Museum of American Folk Art and the American Center, Paris.

Conversations with Amiri Baraka, edited by Charlie Reilly. Jackson: University Press of Mississippi, 1994.

Heathens and Revolutionary Art: Poems & Lecture. Louisville, KY: White Fields Press, 1994. Heaven Chapbook 45.

When Miles Split, with a woodcut by Guy Berard. Canton, NY: Caliban Press, 1995. 120 copies.

Wise, Why's, Y's. Chicago: Third World Press, 1995.

Eulogies. New York: Marsilio, 1996.

Funk Lore: New Poems, 1984-1995, edited by Paul Vangelisti. Los Angeles: Littoral Books, 1996.

The Fiction of LeRoi Jones/Amiri Baraka. Chicago: Lawrence Hill Books, 2000.

 

Bibliographies:

DLB 5, DLB 7, DLB 16, DLB 38.

FPAA 1.

Letitia Dace. LeRoi Jones: (Imamu Amiri Baraka): A Checklist of Works by and about Him. London: Nether Press, 1971.

Theodore R. Hudson. A LeRoi Jones (Amiri Baraka) Bibliography: A Keyed Research Guide to Works by LeRoi Jones and the Writings about Him and His Works. Washington, DC: [s.n.] 1971.

Paulette Pennington-Jones. Amiri Baraka: Bibliography, Biography, Playography. London: TQ Publications, 1978.